Renowned Pakistani critic Dr. Ejaz Waris recently unleashed a scathing review of Fahad Mustafa and Mehwish Hayat’s latest film, ‘Zombied,’ calling it ‘mental torture’ and a ‘complete disaster,’ igniting a fiery debate among fans and industry insiders.
Television and film critic Dr. Ejaz Waris recently stirred a massive controversy with his unfiltered review of the much-anticipated film Zombied, starring Fahad Mustafa and Mehwish Hayat. His candid remarks, labeling the cinematic experience as nothing short of “mental torture,” have sent ripples across social media platforms and the Pakistani entertainment landscape, prompting both agreement and sharp disagreement from viewers and fellow industry professionals.
Dr. Ejaz Waris has long been a prominent voice in Pakistani media, known for his incisive analysis of films and dramas. Before his current role as a sought-after critic whose opinions hold considerable weight among actors and television viewers, he established himself as a popular RJ for an extended period. His direct and often provocative takes on new releases have garnered him a dedicated following, making his reviews a significant talking point. Fans can follow his critical insights on his official Instagram: Dr. Ejaz Waris.
In his detailed critique of Zombied, Dr. Ejaz Waris minced no words, describing the two-hour film as a “complete waste of money and time.” He particularly criticized the movie for its perceived lack of originality, calling it a “poor imitation of Hollywood films of the 1980s and 1990s.” The critic expressed his dismay at the film’s inability to evoke any emotion, stating, “It doesn’t make you afraid, it doesn’t make you cry, it doesn’t even make you laugh. Your emotions simply die while watching it.” He also questioned the casting choices, highlighting the repeated presence of veteran actors like Babar Ali and Javed Sheikh, urging filmmakers to explore new talent.
While Dr. Ejaz Waris’s review has been unequivocally harsh, it has sparked a wider conversation about the state of Pakistani cinema and the role of critics. Many social media users have vehemently disagreed with his assessment, asserting that films like Zombied are crucial experiments for the industry’s growth, and that such severe criticism stifles innovation. As the debate rages on, it leaves us to ponder: is unfiltered criticism a necessary evil for artistic development, or does it sometimes hinder the nascent efforts of local filmmakers?
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