Audience criticism mounts over Naeema Butt’s portrayal of Tamseel alongside Danish Taimoor in Geo TV’s hit serial.
The hit Geo TV drama series Nashtar, directed by Siraj ul Haq and produced by Abdullah Kadwani and Asad Qureshi, has sparked widespread online discourse following a tumultuous emotional scene. Viewers turned to social media on February 13, 2026, to voice their intense frustration over a recent episode featuring a confrontation between main characters Shah Dawood and Tamseel. In the intense sequence, Tamseel begs to salvage her relationship, only to be met with harsh insults and character assassination from Shah Dawood. The scene instantly triggered an avalanche of public critique regarding both the scene’s writing and execution.

Rising star Naeema Butt, who gained widespread acclaim for her previous portrayal of Rubab in the hit drama Kabhi Main Kabhi Tum, finds herself at the center of this casting controversy. Known for her expressive performances in theatrical productions and mainstream television serials, the actress built a solid reputation for portraying complex, dignified women. However, viewers feel her recent move into this toxic drama dynamic misjudges her dramatic capabilities, arguing that her previous success demanded more elevated casting choices from show directors.

Audience reactions across social media platforms focused heavily on her perceived overacting, styling choices, and character dynamics alongside co-star Danish Taimoor. Fans noted that her current get-up makes her appear noticeably older than her co-star, while others expressed deep irritation over Tamseel’s complete lack of self-respect in the script. Commentators criticized the show’s casting team for placing her in a role that fails to match her natural screen presence, noting that the desperation of her character felt unconvincing and stripped of authentic emotional weight.


As prime-time television continues to lean heavily on intense romantic rivalries and high-stress narratives, public pushback raises crucial questions about character writing for women on screen. Will the makers of Nashtar address these growing audience concerns as the plot unfolds, or will viewers tuning in grow increasingly tired of regression in female character arcs?





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