Raeed Muhammad Alam shares a candid revelation about an early career struggle to cry on set, leading to an unexpected, firm lesson from veteran actor Nauman Ijaz.
In a candid revelation that has sent ripples through the entertainment industry, acclaimed actor Raeed Muhammad Alam recently shared a surprising on-set incident involving veteran star Nauman Ijaz. Appearing on Fahad Abid‘s popular podcast, Alam recounted a moment from early in his career where a challenging scene led to an unexpected, yet impactful, lesson from his senior colleague.
Raeed Muhammad Alam, a name synonymous with versatility in Pakistani television, has carved a significant niche for himself as both a model and an actor. Beginning his journey as an assistant director, Alam quickly transitioned to acting, earning widespread acclaim for his mature and nuanced performances in hit dramas such as Kaffara, Siyani, Bepanah, Fitrat, and Taubah. Beyond his professional achievements, Raeed is happily married to Areeba, and the couple are proud parents to a charming son. Fans often follow his journey and personal glimpses on his official Raeed Muhammad Alam Instagram account.
During the podcast, Alam elaborated on the specific scene that led to the incident. He admitted to struggling with emotional scenes early in his career, particularly those requiring tears, stating, “When I started my career, I didn’t know how to cry.” Despite multiple takes for a scene opposite Nauman Ijaz, he couldn’t produce the required tears, partly due to an aversion to glycerine. It was then that Nauman Ijaz, observing his struggle, delivered a firm slap, humorously remarking, “Now the child will cry well.” Alam described the hit as “hard” but quickly emphasized the immense respect and gratitude he holds for his seniors, particularly Nauman Ijaz, for their invaluable guidance and mentorship.
This candid anecdote highlights the often intense, yet ultimately formative, experiences actors encounter in their journey to master their craft. It also sheds light on the unique mentor-mentee dynamics prevalent in the Pakistani entertainment industry, where seasoned actors often take a hands-on approach to nurturing new talent. What are your thoughts on this unconventional teaching method?
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